After a few postponements, due to major events like newborns and a global pandemic, my project “Diametrically Composed,” finally premiered! On Friday, September 17th, as part of Bryant park’s Picnic Performances, Alicia Hall Moran, Gabriela Martinez and I took to
This summer I had the enormous pleasure and honor of composing my first film score for the incredible documentary, “Maurice Hines: Bring Them Back.” Directed by John Carluccio, produced by Tracy Hopkins, with Executive Producer Debbie Allen, “Bring Them Back”
I’m so honored to have teamed up with musicians Zosha Di Castri, Olivia De Prato, and Alice Teyssier to create “Matricalis.” Matricalis is a project and community hub that reflects on the impact of motherhood on individual musicians. Through podcast
Nathalie was very honored to perform at an International Women’s Day event hosted by the World Bank’s Social Sustainability and Inclusion Global Practice, alongside champions of change and pioneering women leaders. The event featured Victoria Kwakwa (Vice President of World
Check out Outpost’s exclusive profile on Nathalie, where she opens up about her journey as an artist, saying “it took a long time for me to claim the title, composer and vocalist. The people I saw being given that title
Grab the latest issue of Elysian Magazine for a wonderful profile of Nathalie’s life and career, a journey “from Juilliard to the Grammys”. > Read the article
Check out the latest episode of More Than A Crush, a podcast hosted by Nathalie’s dear friends and boss ladies extraordinaire, Marion Bolognesi (artist & designer) and Kim Beury (therapist). The episode, entitled “Home is Where the Heart Is” features
Ending the year on a high note, by making the The New York Times 25 Best Classical Music Tracks list! Nathalie’s solo cello work Dam mwen yo (performed by cellist Amanda Gookin on her Bright Shiny Things release, “Forward Music Project
Sound Off with Katy Henriksen features in-depth conversations about music that challenges the status quo—hybrid sounds that fall through the cracks because they aren’t easily labeled. Check out the latest episode featuring Nathalie. > Listen to the episode
After the recent premiere of the live concert stream of Joachim’s Fanm d’Ayiti, presented by and taped exclusively for Cal Performances, SF Classical Voice delivers a rave review. Describing a tender moment in the performance shared with the recorded voice
